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Do these songs ever strike up bittersweet memories?

Kites Lyrics: I will fly a yellow paper sun in your sky / When the wind is high, when the wind is high / I will float a silken silver moon near your window / If your night is dark, if your night It just inspires us because maybe the way their textures work is really interesting, or maybe the way the song builds is interesting. The Paper Kites Lyrics "Bloom" In the morning when I wake And the sun is coming through, Oh, you fill my lungs with sweetness, And you fill my head with you.

It’s very easy for people to picture how you sound because it familiarizes them with the type of band that you are. You never leave my mind Sam B: Yeah, and they were really good when we signed with them. SongMeanings is a community of thousands of music lovers who contribute song lyrics, discuss interpretations, and connect over songs and artists they love!

I love the idea of being able to move someone else in that way, especially when they get out what I put into the songs. You can be challenged by the lyrics of any genre, so it’s very wide. There are different personalities all creating something unique. For example, I’ve been listening to a lot of Brian Eno, which is just ridiculous.

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I mean, I’m really proud of how our stuff turns out. Ooooohhhhh

The river is running - don't see the end of it, You said you had me right from the start of this, Don't get me wrong now - I know the way it is, Cracking and burning, pouring it out to you, O rio está correndo - não vejo o fim disso, Você disse que me tinha desde o começo disto, Composta de água, composta de fogo também, Quebrando e queimando, despejando para você, Eu acho que estou pronto para ser seu único. As far as touring, recording, or just general band stuff? New!

While she played, I was tying the strap behind her.

“Tenenbaum” is another sad song. Sam B: I’d say all three. But you put it through this process of playing it how you interpret it because of the bands that influence you.

Looking for the best new music? When playing in a live setting, you definitely try to think about the state-of-mind you were in at the time, just to remember what it was like. Dave: It also helps you to not focus so much on screwing up. That’s not a band—that’s a solo artist with session musicians. It happened years ago in Brisbane, Australia, at one of our first big shows. When the conditions seemed just right, the Melbourne five-piece dropped their spectacular debut album, States. Ooooohhhhh.

They had sort of said “We want to build with you guys,” and were asking us things like “Where do you want to be 5 years from now, 10 years from now?” I think it’s important for a label to understand that you aren’t a hype act or want to be big stars straight away.

There’s a big difference. Keeping you connected to the independent music scene. ALL RIGHTS RESERVED. Have you heard of her? In your own way, And your voice was trembling

It’s great because a band that isn’t signed can get their music out there and everyone can listen to it. Ooooohhhhh Sam R: Agreed.

We're not just another lyric site. IC: That’s good because everyone brings something new to the table. So, yeah, musically I think I was in a different place for States than I was for the first two EPs. Sam B: Except for those soulless bands, right? Holes let in the light, Ooooohhhhh

That’s pretty confessional. Music is more accessible than it has ever been, but there are even pros and cons to that: You have to wonder where the money is going and how the artist is benefitting.

Is there a song that carries the most sentiment to you?

We were like “Okay, we’ve made a few silly mistakes, but its time to get really professional, get in the right headspace and be totally ready!” Then, of course, early on in the set, Dave’s guitar just stops working. Envie pra gente. Some shows I will be playing the songs and concentrate more on trying to sing it really nicely or play it well, then I’ll have other nights where it comes naturally.

All the answers at one time But it's the only race I'm in

Even when we put Woodlands out, it was more of a concept album in terms of sound. Tem certeza que deseja excluir esta playlist?

One of the biggest challenges, though, is dealing with big personalities.

But I think that’s one of the best things about a band.

From that point, we just decided that we shouldn’t try and be so “professional,” we should just go with it. We put a lot of work into it and were really happy with how it turned out. Christina: I feel like I’m always inspired or challenged by other people’s lyrics.

But like Christina said, when you are thinking about what you wrote, it becomes hard to sing, so you sometimes need to shut it off a little bit.

Sam R: We will take a bit of time off.

So while they are very personal to us, they become very personal to other people for their own reasons—and I think that’s a great thing!

Sam B: It can definitely be emotionally exhausting. They kind of steadily grew, inclining slowly. Do you think the internet has made it easier for record companies to access new music, and if so, do believe artists are losing touch with their labels? Sam B and Christina: We haven’t really talked about it at all. Who would you say are your biggest musical influences? Running strong, Tell you that I

IC: As you just mentioned, you’ve been jamming your head full of new music. A big part of it was to find a label that was on the same page as us; knew what our priorities were; knew the kind of stuff we care about as a band; wanted to head in the same direction as us; and shared the same values as us. Dave: I was playing it at my knees, then I gave it to Christina and it was down at her ankles! IC: What has been your biggest challenge as The Paper Kites? Christina: I think—because we get asked a lot about “Featherstone” and “Bloom”—that there are pros and cons to the amount of influence that the internet has nowadays. It’s just this eclectic mix that we’re inspired by and they all kind of come together. The Paper Kites couldn’t have chosen a better time to burst onto the scene.

Christina: Before we signed [with Nettwerk], we made a point of not letting that happen.

!” Feeling totally inadequate to be playing with them. Also, I believe that a lot bands would agree with you to some extent, at least, in large part. We strived to get a sound that was a bit more cinematic and ethereal, and we worked with a composer in Melbourne called Tim Coghill who brought a lot of texture to songs we hadn’t previously had. And I know it's nothing new

It seems as though each of your releases has its own distinct sound and feeling.

IC: Are there any songs in particular that are tough to perform? Still, I don’t think that’s a bad thing.

IC: I think it shows you guys have a lot of heart.

And the guy’s guitar was for a giant! The next song, Christina was supposed to play, so I handed off the guitar to her and it was down to her knees!

Sam R: There’s one instance we often talk about. Sam B: “Paint” is pretty brutal.

I shouldn’t say that, because everything is very intentional; it doesn’t really come out naturally. The whole record is really just a collection of different times and different states of minds I was in during the last year that I was writing it. Everyone has their own thoughts of a band even before they meet them and make assumptions based on their sound.

It’s always hard to get there, but it’s good because it means all of us care enough.

Even the things we are into, they themselves are very different.

At the moment, many Australian musicians are making waves across the pond, and for better or worse, the folk genre is in the midst of transition period. It was about an hour or two drive to the venue and the whole way we were discussing how to be really professional. So it’ll be cool to see how it comes out. Arms Lyrics: What can I give ... On The Train Ride Home The Paper Kites. Faded out of sight That being said, the success we have had is largely due to the attention we got from viewers [on YouTube].

1. For instance, when we first toured Canada, we had people that came out to our shows who knew us from “Featherstone” and “Bloom.” While this is great, I can’t help but feel it’s an over-saturated market.

These are all things I think we’ve achieved with Nettwerk. Indie Current: Without the backing of a record company, you guys gained a great deal of notoriety from “Featherstone” and “Bloom.” There are even instances where bands, like yourself, have been signed after releasing only one song.

Will you be taking a break following the conclusion of your North American tour?

You know you say it all the time You never leave my mind, Never did I find If I’m feeling sad and get too involved, I might be a mess for the rest of the set.

I actually have this book my brother got me that’s called “500 Greatest Albums of All Time” that was selected by a panel, but I’ve been trying to work my way through that because obviously they’re in there for a reason. Dave’s playing style is brought about by the bands he grew up listening to and what he perceives is the style.

IC: Your songs often touch on very personal stories of past relationships and feelings. Don't let this unwind

Sam R: It definitely hasn’t taken away any of our artistic freedom… I don’t think. I suppose when it was written and when I sing it—even though it’s not something that’s relevant now—I still remember that feeling. There’s so much music out there, I don’t know if it’s necessarily a good thing.

Some I didn’t even write, but I knew that Sam had written them from my point of view, if that makes sense?

It did, however, come out quite naturally… Actually, no. Like, a few of us may enjoy listening to Phoenix, but that doesn’t mean we want to start making dance-rock or anything. I think it’s a good way for that to happen—I would have been a little worried if I woke up one day and suddenly one of our videos from zero to over a million views, it seems sort of unnatural. Sabe de quem é a composição? But then you always pushed the line Can I be close to you? Sometimes I’ll listen back to recordings and feel like 90% of it I’m really proud of, although getting to that point is always a struggle. It’s always a big job and the second release is kind of the “cursed release,” but I’m pretty determined to not fall into that. Shall I write it in a letter?

All my days are nights

Dave: Does it actually help to be in a frame-of-mind where you feel the emotion of the song and deliver it in a way that is doing it justice? Sam B: But I really like a lot of cinematic stuff. Sam B: It’s definitely a good thing and a bad thing.

Sam R: One of our biggest challenges is what we’ve just been talking about: Finding a balance between who inspires us, how our music should sound and what direction we’re going in. And there's no one I could take Dave: I think the pros look professional because they are so relaxed, not because they are trying to look professional. Listen to all our tracks in one place.

Sam B: It’s hard because everyone is into such an eclectic selection. Oh, you fill my head with pieces Of a song I can't get out.

Shall I try to get it down? Sam B: It’s been great!

Tap highlighted lyrics to add Meanings, Special Memories, and Misheard Lyrics ... All the answers at one time But then you always pushed the line In your own way.

Christina is different and Sam is different. We never really know what we’re doing sometimes—even until a month out.

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